Making a film is like creating a world — one that can be lived in, where fragments of life exist together, both known and unknown.

I didn’t enter filmmaking through a straight path. Over the years, I’ve worked across feature films, documentaries, short films, corporate work, and live sports broadcasting — each experience shaping the way I observe people and situations.

As a cinematographer on films like Trijya (Radius) and Udaharanarth Nemade, and as a director on my own work like Bottomland, I’ve found myself drawn to behaviour — what people express, what they hold back, and what exists in between.

I’m interested in stories that feel lived-in. Stories where culture, relationships, and contradictions quietly shape human experience.

I’ve also worked across corporate and branded content, bringing the same focus on storytelling and visual clarity.

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I believe cinema should engage, not just entertain.